May 19, 2005
Blue Light? Maybe it's a State of Mind
"A Ramblin' Man" Just Doesn't Translate
The gods must be crazy...
March 18, 2005
Atomu no yume he: To the Dream of Atom
by Patrick W. Galbraith
TOKYO - Japan may seem the epitome of modernity, the cutting edge of industry and technology. But to the average Japanese technology boils down to one name, and his is not the name of a car or electronics company: Tetsuwan Atomu (Mighty Atom).
Known as "Astro Boy" in the U.S., this a cute little manga (comic book) and anime (animation) character is a cultural phenomenon in Japan that no one can seem to resist.
Elderly citizens carry around Atom fans; children sing his theme song as they walk in mass to school as often as dance halls remix it to ambient-techno blips; Atom iconography permeates pop-culture.
Japan Railway trains out of the busy hub station of Takadanobaba play the "Tetsuwan Atomu" theme as a departure chime.
Unlike any U.S. comparison such as Mickey Mouse, adults and academics publicly debate the cultural and intellectual significance of Atom.
"Tetsuwan Atomu" is the story of a superpowered robot with emotions that can perceive the "right" in all things and battles for justice in the twenty-first century. It spanned numerous manga collections and spawned the first commercial anime series and movies in Japan. Atom has since been made and remade, the anime even just reenvisioned for the next generation.
Created over half a century ago, Atom remains to Japanese today the epitome of ergonomics: man meets machine, technology meets humanity.
Especially now as Atom was supposedly created April 7, 2003, according to Tezuka Osamu, the "God of Manga" ("manga no kami") who revolutionized manga and anime in the 1940s and 50s into what it is today.
Atom was his quidessential robot character, a bridge between man and machine that acts as a liaison to help the two live together in peace, a decidedly Japanese fantasy of spiritual industrialization.
The history of robots in Japan dates back to the Edo Period (1604-1868) with "karakuri ningyou," the intricate robotic dolls still treasured today. Perhaps because of the animism of Japanese Shinto recognizing spirits in all things (even a robot can have a heart like Mighty Atom) or the historically central craftsmanship of the Japanese artisan, the Japanese people are without a doubt the most receptive in the world to robots as partners and helpers in their daily lives.
Dozens of prominent companies such as Sony are striving to make a bipedal "partner robot" that can actually speak and interact with families "like Atom" - Hondas Asimo is actually toted as "just one step from Atom" and compares all of its specs in ads to the character - while industry welcomes machines taking humans jobs because of fascination and love of them.
A worker doesnt seem to mind losing his job to the virtuous "Atom," an image that the Japanese cant seem to shake as the ultimate future of all robotics.
Because of Tezuka and Atoms influence, today manga, the uniquely detailed comics of Japan that broach the most sensitive of subjects in stylish, metaphoric ways, rule the booksellers market.
The term "manga" literally means "whimsical pictures" and was coined by the Edo Period ukiyoe artist Hokusai (himself much like a modern manga-ka (artist) in popularity who drew "Red Fuji," "The Wave" and "Dream of the Fishermans Wife," among other famous prints) to describe a book of woodblock prints hed done.
Manga`s challenging content - spawned by Tezuka`s philosophical musings on the future of humanity - have led it to be read by almost every single Japanese person regardless of age.
Manga sell a staggering 2.2 billion books annually accounting for 40 percent of all books published and sold in Japan. Train cars are filled with people of every age and creed flipping through the latest monthly anthologies or digests.
Its unthinkable in the context of U.S. comics, which are tailored to children thanks to company ownership of characters that force creators to become glorified production staff.
Japan is currently going through a manga revival re-releasing the most famous tittles such as "Lupin III," "The Rose of Versailles," "Tetsuwan Atom" and many others for the next generation to enjoy.

